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In response to the first destruction, on 21 October 2015, Creative Commons started the New Palmyra project, an online repository of three-dimensional models representing the city's monuments; the models were generated from images gathered, and released into the public domain, by the Syrian internet advocate Bassel Khartabil between 20.About the destruction during the second ISIL occupation, Abdulkarim states “This time, they don’t seem to have damaged Palmyra as badly as we feared.” and states that "approximately 80% of Palmyra’s antiquities are in fairly good condition and 15% of those more heavily damaged also can and will be restored." Consultations with the UNESCO, UN specialized agencies, archaeological associations and museums produced plans to restore Palmyra; the work is postponed until the violence in Syria ends as many international partners fear for the safety of their teams as well as ensuring that the restored artifacts will not be damaged again by further battles.
An alternative suggestion connects the name to the Syriac tedmurtā (ܬܕܡܘܪܬܐ) "miracle", hence tedmurtā "object of wonder", from the root dmr "to wonder"; this possibility was mentioned favourably by Franz Altheim and Ruth Altheim-Stiehl (1973), but rejected by Jean Starcky (1960) and Michael Gawlikowski (1974).
Palmyra changed hands on a number of occasions between different empires before becoming a subject of the Roman Empire in the first century AD.
The city grew wealthy from trade caravans; the Palmyrenes were renowned merchants who established colonies along the Silk Road and operated throughout the Roman Empire.
Its destruction by the Timurids in 1400 reduced it to a small village.
Under French Mandatory rule in 1932, the inhabitants were moved into the new village of Tadmur, and the ancient site became available for excavations.